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Don Giovanni:dir:John Eliot Gardiner.(the english baroque soloists ) Don:Rodney Gilfry,Leporello:Ildebrando D'Arcangelo,commendatore:A.Silvestrelli concertgebouw Holland Festival 1994


Gala Tucker, 2000


La ci darem la mano - 1999


Il baritono americano Rodney Gilfry (1959-) canta l' aria dello champagne di Don Giovanni cioè Fin ch' han dal vino di Wolfgang Amadeus Mozart diretta da Sir John Eliot Gardiner a Ludwigsburg nel 1994. Questa incisione discografica (Archiv) è dal vivo (live).


Duet and aria from Don Giovanni performed by Rodney Gilfry (Don Giovanni), Liliana Nikiteanu (Zerlina) and Cecilia Bartoli (Donna Elvira). Don Giovanni, Zürich 2001, lead by Nicolaus Harnoncourt, staged by Jürgen Flimm.


Bartoli as Donna Elvira, Rodney Gilfry (Don Giovanni) and László Polgár (Leporello) participate. Don Giovanni, Zürich 2001, lead by Nicolaus Harnoncourt, staged by Jürgen Flimm.


Cosa Sento: Trio from Act I of Mozart's opera The Marriage of Figaro performed by Alison Hagley (Susanna) and Rodney Gilfry (Count Almaviva). This production is conducted by Gardiner. Gilfry's Count makes this the funniest recording I've seen.


The Count's aria "Hai già vinta la causa / Vedrò mentre io sospiro" from Act III of Gardiner's production of Mozart's The Marriage of Figaro. Features Rodney Gilfry as the Count.


Depending on the interpretation, this bit can be either the dramatic climax of the opera or a shamefully awkward moment in an otherwise great performance. So we're going to throw seven great Don Giovannis, new and old, into the pit for the ultimate Don Giovanni death cry CAGE MATCH! And the Leporellos can duke it out as a sideshow! 1: Rod Gilfry (Don Giovanni) and Ildebrando D'arcangelo (Leporello) 2: Cesare Siepi (Don Giovanni) and Otto Edelmann (Leporello) 3: Dietrich Fischer-Dieskau (Don Giovanni) and Karl Christian Kohn (Leporello) 4: Tito Gobbi (Don Giovanni) and Erich Kunz (Leporello) 5: Ruggero Raimondi (Don Giovanni) and Jose Van Dam (Leporello) 6: Eberhard Waechter (Don Giovanni) and Giuseppe Taddei (Leporello) 7: Peter Mattei (Don Giovanni) and Gilles Cachemaille (Leporello) Who's gonna win??


here are the opera baritones that I know of which have reached Bb4 or higher: 1. Rodney gilfry hits a solid Bb4 from rossini aria "Una Voce M'Ha Colpito". he also hits a Eb2 in the same aria. 2. Dietrich Fischer-Dieskau hits a Bb4 from "drei Masken sah ich am Himmel". dietrich has hit a D2 in "harfenspieler" by carl zelter. 3. Sherrill Milnes hits a Bb4 from verdi aria "Resta Immobile". 4. Joesph Shore hits a solid Bb4 from song "I am the way". he also hits a F#2 earlier in the song. 5. Sherrill Milnes with a short B4 from ending of Rigoletto. 6. Cornell Macneill with a Gilda yell reaching a short C5 and a sustained B4. 7. Joseph Shore with a powerful B4 and A4 from ending of nessun dorma. 8. Thomas Hampson interpolating a short C5 in the largo al factotum aria. Hampson has also hit a D2 in the song "Herr Oluf". 9. Leonard Warren with his incomparable Gilda yell, a sustained C5! New: Check out joseph shore´s collage of his high notes at http://www.youtube.com/watch?v=m8nUNoQANv8


A performance of R. Strauss' Concerto No. 2 for horn by Brigitte Labelle, Masters' Candidate, University of Louisiana at Lafayette (USA). Presented at Gilfry/Ducrest Auditorium in Angelle Hall. Ms. Labelle is a student of Dr. Catherine Roche-Wallace.


Placido Domingo, Frank Corsaro and Peter Hemmings discussing Les contes d'Hoffmann in the edition of Michael Kaye (now a co-edition of the opera with Jean-Christophe Keck published Schott Music in collaboration with Boosey and Hawkes and Bote&Bock). See also http://www.youtube.com/view_play_list?p=86D04971546379E5


Some background about the integral edition of Offenbach's posthumous masterpiece "Les contes d'Hoffmann" - a co-edition by Michael Kaye and Jean Christophe Keck published by Schott Musik in collaboration with Boosey and Hawkes and Bote&Bock. See also http://www.youtube.com/view_play_list?p=86D04971546379E5


Franz Strauss: Fantasie for Horn and Piano, op. 2, "Rondo Russian." From the senior recital of Pamela Kaminsky, horn, with Julia Barnes, piano. University of Louisiana at Lafayette, Ducrest/Gilfry Auditorium. Mrs. Kaminsky is a student of Dr. Catherine Roche-Wallace.


Andrea Rost interview, Washington (April 2005) - part 1/4


チェチーリア・バルトリ=イタリアのメッゾ・ソプラノ歌手。 驚くべきテクニックを備えていて本当に有名なオペラ歌手です。 メタル・ファンも驚くのではないでしょうか?(たぶん...) モーツァルトの歌劇『ドン・ジョヴァンニ』からの一場面で、 バルトリはドン・ジョヴァンニに捨てられたドンナ・エルヴィーラの役を演じています。 Mozart 『Don Giovanni』 Aria(Donna Elvira)


ロドニー・ジルフリー=アメリカのバリトン歌手。 マッティ・サルミネン=フィンランドのバス歌手。 モーツァルトの歌劇『ドン・ジョヴァンニ』から有名な「地獄落ち」の場面です。本当にすごい音楽です。最後は圧巻です。 やりたい放題に生きているドン・ジョヴァンニが、自分が殺し、亡霊になって現れた騎士長に地獄に落とされる場面です。 メタル・ファンも気に入るのではないでしょうか?(たぶん...) Mozart 『Don Giovanni』 Act Two Finale 「Don Giovanni, a cenar teco」


Andrea Rost interview, Washington (April 2005) - part 2/4


The University of Louisiana horn studio presents Jim Price; Mozart Concerto for Horn in E-flat Major, k. 495, mvt. I, performed live and unedited in Ducrest/ Gilfry Auditorium, Angelle Hall


Andrea Rost interview, Washington (April 2005) - part 3/4


Offenbach's authentic final scene of the Giulietta Act was incorporated in the integral edition for the first time in Hamburg. Ingo Metzmacher, who conducted the premiere, agrees that the finale now gives balance to the opera, making the end of the tale of Giulietta as important and the other acts. PS: Giulietta is not a role for mezzo-soprano! See also http://tinyurl.com/32tbww


ニコラウス・アーノンクール=オーストリアの指揮者。 古楽器演奏で名を馳せた有名な指揮者です。 ウィーン・コンツェントゥス・ムジクスを設立。 モーツァルトの歌劇『ドン・ジョヴァンニ』から序曲。 モーツァルトが一晩で書き上げてしまったという逸話がある曲です。 メタル・ファンも納得の曲ではないでしょうか?(たぶん...) Mozart 『Don Giovanni』 Overture


Andrea Rost interview, Washington (April 2005) - part 4/4


There is also music for Stella to sing in the integral edition by Michael Kaye and Jean-Christophe Keck published by Schott Music, Boosey and Hawkes and Bote&Bock. See also http://www.youtube.com/view_play_list?p=86D04971546379E5 HOFFMANN [parlé] Allons! brave public courage!... Jette des fleurs sur son passage! De tes bravos enivre--la! Tu ne sais pas ce que ces créatures laisse sur leur chemin de morts et de débris! Ce qu'elles traînent de mépris! STELLA Ah! C'est en vain que mes amours te servent de risée Tes nuits verront surgir ma beauté méprisée Adieu à ton cœur pour toujours! LE CHOEUR Ah! Funeste et méprisée Disparais pour toujours! Du vin, du vin, du vin, du vin, du vin! (Stella prend son manteau des mains d'Andrès et le jette sur ses épaules; puis elle prend le bouquet, s'arrête au bout de quelques pas pour regarder Hoffmann, détache une fleur de son bouquet et la jette à ses pieds. Hoffmann la suit des yeux avec une sorte de stupeur.—Pendant cette scène muette, les étudiants chantent en frappant bruyamment des gobelets sur les tables.)


チェチーリア・バルトリ=イタリアのメッゾ・ソプラノ歌手。 ロドニー・ジルフリー=アメリカのバリトン歌手。 モーツァルトの歌劇『ドン・ジョヴァンニ』から有名な「地獄落ち」の前の場面で、やりたい放題に生きているドン・ジョヴァンニにドンナ・エルヴィーラが生活態度を改めるように訴えています。しかし、ドン・ジョヴァンニは聞く耳を持ちません。 バルトリがドンナ・エルヴィーラの役を、 ジルフリーがドン・ジョヴァンニの役を演じています。 メタル・ファンは気に入らないかもしれません?(たぶん...) Mozart 『Don Giovanni』 Act Two


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